GBBF: CAMRA Bar Management Training

Bar and Kilderkins

These kils need to be on that scaffold… time for some proper work.

I did my first GBBF this year. My first as a volunteer I mean. Except I wasn’t there just to pull some pints, I was attending the CAMRA Bar Management Training that is held at GBBF every year. What is a “CAMRA Bar Manager” – what does this so-called “training” cover? Some would make jokes about beer gut cultivation (doing fine there on my own alas), choice of correct sandals (was a confirmed sandal wearer before I moved to the UK), and beard growth strategies (follicly challenged in the face department alas). Hey, I make fun of CAMRA too sometimes. However, the training really is a good and useful thing for anyone who wishes to care for cask ale – especially in a beer festival environment.

Trainees

My fellow GBBF Bar Manager trainees.

How do you get to do it?
The training is for CAMRA members and you need to be nominated by your regional director. In my case I was lucky to have been pushed into it along with a colleague from North Herts CAMRA branch because our festivals lacked technical knowledge, plus as of this year we’re running a festival in summer and this requires cooling equipment. Under some guidance I’ve done most of the “cellar” for the last couple of festivals, and looked after the cooling at the last festival. (Luckily we had the GBBF technical director to hand to give us a crash-course.) I say “under some guidance” but there are only a couple of folk in the branch who’s guidance I particularly trust, whilst I’ve had some downright suspect instructions from others! Basically I was a little confused and certainly lacking confidence.

If you’re interested in doing the training I suggest that first you need to be involved with your local branch and have an interest in running festivals. If your branch lacks technical knowledge (many seem to) and you’re keen, you probably have a good chance of getting on the course. (However numbers are limited, so if at first you don’t succeed…). This year the course had people along ranging from 18 years old through to (at a guess) well into their 60s. We only had one woman on the course, which isn’t surprising I guess – is that in line with active membership or below? For my branch it is certainly below. Anyway – one is better than none. The trainees had travelled from all over, a chap even harking from the Isle of Man – plus a dude from the US doing the course as part of some exchange programme.

Scaffold Training

We learnt how to put together this modular scaffold stuff. (Not rocket science… but there are some tricks to it.)

What is covered?
A suffusion of beer festival information! The course is misnamed in a way. Whilst set-up and care of cask ale was core, we also had sessions on health and safety, risk assessment & insurance, ordering kit from HQ, foreign beer, beer flaws & infections, dispense technicalities (a keykeg made an appearance – yes, they can be perfectly OK as “real ale”), scaffolding, beer logistics & stock management, and cider. So really you could call this a “festival organiser course”, I think I probably could have a go at running a whole festival now (if I was that masochistic).

The course is a mix of theory sessions, hands-on practical sessions, and for the majority of the time plain old hard graft behind a GBBF bar. Every trainee is given to a GBBF bar manager (Buster Grant from Brecon Brewery in my case) and expected to get stuck into all aspects of looking after the bar (whilst trying not to get in the way too much).

Beer beasties!

Beer nasties under the microscope in the GBBF QA lab. They take this stuff seriously.

GBBF trainee schedule, in brief…
I arrived on Saturday August 10th, signed in and immediately reported to Buster – for the first two days trainees are handed straight over to their managers to provide extra muscle for set-up. First job: kils are arriving on pallets and need to be up on stillage. Cooling was hooked up. Beer lines and pumps set up and cleaned.

A typical GBBF stillage exists in two distinct parts – one is what you see behind the bar: a scaffolding structure with a lower and an upper deck where casks are sitting under cooling jackets. Part of the art of setting this up is deciding where to put the casks in order to aid efficient take-down. I.e. under Buster’s system the 1st and 2nd casks on are all out to the edges so that the outer cooling systems can be broken down early. There is no prescriptive one-way-to-do-things however, and each GBBF bar manager has developed their own methods and tricks. There are some constraints of course, such as: there are typically 4 kilderkins of each beer and these need to be arranged such that the line from a given hand-pump is able to reach them all. (Having done this GBBF I can very much see why kils are a necessity!) [Edit: I forgot to explain the “second part” – this is a huge refrigerated box located behind the stillage that has the other half of the beer in it. Up on a double-layer scaffold. The cooler boxes are much simpler to set up and manage and some think it should all be done that way as it is so much easier – however others think the “look and feel” of a festival is not as good without all the kils out on display.]

The first casks were vented and tapped on Sunday so they would be ready for the “trade session” on Tuesday. Through the week the remaining casks are vented, tapped, and hooked up to lines as required. Twice a day the volume of beer in the casks that are on is measured with a dipstick and this feeds in to deciding when to vent the next-casks-in-line. When a cask runs dry it is sealed up and moved to “the crypt” at the end of the day.

This all amounts to a truly epic operation. Have a look at the crypt for an idea of the scale of things… (you can drag the image around for a full 360-degree experience… Google did NOT make this easy to achieve!)

The actual coursework and theory of the training is held in sessions from Monday through to Friday. Monday is a quiet day for a good bar team anyway – as most of the set-up is done and it is just a matter of spit-and-polish. A day of rest before the beer-drinking hoards hit the festival on Tuesday. Throughout the weekdays trainees split their time between the sessions and helping out at their bars wherever they can be of use. Everything from beer technicalities to serving customers at the bar – plus quite a bit of mopping at times.

Colin thirsty for hops...

Colin thirsty for hops… enjoying a beer in the Voly after another long GBBF day sitting on my head.

The reward at the end of every night is time for a couple of free pints in the “Volunteers Arms” (aka “the voly”) - the staff-only bar (with over 200 different beers on over the course of GBBF – it is a beer-festival within a beer-festival). It was a long week with post-voly bedtime most nights being about 2AM. However we didn’t need to be on-site until 10AM(ish) so that’s not all that bad.

At the end of the final day, within 2 hours of 5pm “time at the bar”, all casks and equipment were off stillage and on pallets. On Sunday the 18th, my last day, I was mostly in the crypt sorting and stacking dead casks. One final batch of hard graft before scooting home on the train for a much needed night in my own bed before heading back to office drudgery on Monday.

It was a long 9 days – and the seriously hardcore volunteers have a couple more either side to make it about 2 weeks on-site. Dedication to cask ale!

Handpumps....

The handpumps of Bar 19.

Cask ale care…
(especially with my own festival in mind)…
All the topics covered interested me. (Well, to be honest: the cider session was a nightmare). But I was really there for the beer. How does one serve cask ale in good form? Unfortunately there isn’t 100% agreement on this! However most disagreement comes down to peripheral issues like whether or not venting tools were good and how you should arrange beers on stillage. The term “dark art” came up more than once. However there was enough of a consensus for me to build up a plan for my next festival. I’m lucky enough to have one that isn’t complex – we have 1 cask of each beer (a mix of firks and kils) and they all go on at once for 2.5 days of service starting Thursday evening. Here’s my rough timeline - feel free to critique it. Please.

  1. Monday: (preferable) or Tuesday (ASAP) get all casks on stillage and under cooling.
    • Would prefer Monday with casks sitting overnight before venting, but that incurs the cost of an extra night of overnight security.
    • Conflict exists about whether or not to be variously violent with casks to “redistribute muck and finings”. My position is violence here doesn’t seem necessary. Plus they have already been rolled around the ground quite a bit at this stage.
    • Conflict exists here with respect to use of soft/hard pegs. My position is that soft pegs should only be used where casks exhibit excessive activity. Hard pegs should be applied as soon as activity dies down.
    • Ideally casks should have a few hours to sit at this point prior to venting.
  2. Tuesday: vent and tap all casks.
    • Hard pegs firmly in all casks unless there is excessive activity.
  3. Wednesday AM: 1st check of beers.
    • If good mark as “OK”, otherwise mark as appropriate – making note of any particular taints or excessive haze.
  4. Wednesday PM/evening: 2nd check of beers.
    • If good mark as “OK”. Any still with with excessive haze that hasn’t changed since the 1st check to be tested for overnight with isinglass and aux finings (if possible).
  5. Thursday AM: 3rd check of beers.
    • If determined that finings should be added to any beers, do it now. Carefully & in-place, using a funnel and bent tube. (This is how it is done at GBBF.)
  6. Thursday pre-opening:
    • Check any non-“OK” beers before opening. Attach/flip their cask-end-cards for “OK” beers. Soft spiles in “OK” casks for duration of service.
  7. Thursday end-of-night: Stock-take with dip-sticks, and hard spiles in all beers.
  8. Friday pre-opening: Check any beers not yet “OK”. “OK” them if possible.
  9. Friday end-of-night: Stock-take with dip-sticks, and hard spiles in all beers, perhaps plastics in any below half-full.
  10. Saturday pre-opening: Check, “OK”, etc…
  11. Saturday end-of-night: It’s all over!
    • Pack up as much kit as possible before bed as it all needs to be packed and off-site by Sunday arvo.

This isn’t actually a massive change from my usual schedule – but it does contain more detail and care than previously! Any glaring problems in the schedule? Please let me know in the comments or on Twitter… Some trivialities are omitted, it is the general timeline that’s the important part. It contains things I did not do before, such as:

  • Much more fine-grained checking of the beer in the lead-up to opening.
  • Using finings on beers that really don’t seem to want to drop bright.
  • Regular stock-taking throughout the festival (we need a flexi dipstick!)

My primary goal at any beer festival is: serve an enjoyable pint of beer. Sometimes the beer works against you and it seems to be a given that less-than-perfect pints are not unexpected at CAMRA festivals. I wish this were not so. We should be shining a light upon what a good pint of cask ale can be. Alas the beer works against you sometimes. I have had perfectly fine tasting beer arrive dead flat. What do I do then? I’d like to mark it as crap and send it back to the brewer – cue frustrating arguments. If it tastes fine, has condition, but carries a little haze or “cast” (a very very light haze) I put a note on the cask-end card and tell the bar staff to give prior warning along the lines of “it tastes perfect, but has a little haze to it”. (When we have unfined beers this is perfectly OK of course – though this is more difficult to explain to staff, let alone customers!) Anyway – enough of an aside here, this paragraph is what comes from my personal experience prior to GBBF. (GBBF training cannot offer any silver bullets for these issues.)

These are the tools of the beer QA/lab.

These are the tools of the GBBF Beer-QA lab. Probably a bit more than I really need…

Tools & Toys…
My branch has a couple of toolboxes. Mostly they’re full of rusting relics. Post-training we’re going to have to audit the selection… and we already have a shopping list! Perhaps more on that another time, “The CAMRA Bar Manager’s Toolbox”?

One interesting point is the obvious issue of returning part-full casks. We just hammer in the hard spile and put a cork in the end. While this is clearly not sufficient to stop beer leaking out I’d figured it was simply “the done thing” as it is the thing that is done. After having worked at GBBF, with an actual brewer as a bar manager, I now know this is one of the things that can make brewers quite grumpy. So… want to keep your friendly brewers friendly? Your festival should have a de-shiving tool and sufficient replacement shives and bungs. Any beers returned with a lot still in the casks should have new shives and bungs fitted and ideally be marked as part-full. If the beers were “wrong” in some way this should be marked in some way too – red tape over the bung helps to identify casks with a possible infection. We shall be obtaining such a tool (a sturdy screwdriver can do the job, but the correct tool is easier & safer) and some bags of shives & bungs.

GBBF bar banner

Featuring “Let There Be Beer” – a travesty.

Finally…
I have great personal conflict & angst over my involvement in CAMRA. On the one hand I think cask ale is great and worthy of advocacy, I love the CAMRA community, and I love being involved in and going to beer festivals. On the other hand I  have found the organisation’s vague support for pubs disheartening – though that seems to have improved greatly in the last year. I’m regularly angered over CAMRA’s willingness to be an advertising-front for JD Wetherspoon and their friendliness with some “brewers” who’re also actively destroying pubs. More recently, I’m really irate about their ill-conceived involvement with this whole Let There Be Beer shambles. LTBB is primarily (solely) promoting big-brand beers available on the cheap from your local supermarket. This does nothing for cask ale and is actively anti-pub.

I swing between really enjoying being a part of CAMRA and feelings of ARGH, CAMRA! *angryface* I QUIT! (╯°□°)╯︵ ┻━┻

I have, quite inaccurately, split the target of these feelings between “what normal CAMRA people do” and “what HQ decides”. HQ gets the anger pointed in their direction and meanwhile I get on with beery things with the normal CAMRA folk. The ones who love beer, enjoy beer festivals, and mostly just want to have a good time. Whilst doing so they hope that they can help others discover the beer they love to drink and ensure its availability in the future. We are volunteers putting our own time into something we love. GBBF is the product of 10s of thousands of hours of volunteer time – I can’t help but be impressed by that, and be proud to have been a member of the 2013 GBBF team.

I’ll be back.

Certificate

I did it all for this – I’m official now. Look – it has a shiny sticker on it!

Complete photo-set:

GBBF 2012

It sounds a bit silly, but the Great British Beer Festival for me is usually mostly about the foreign beers. Nothing else in the UK can match GBBF for volume & variety of imported beer in one place. However this year I drank far more British cask beer than imports. A combination of the people I was hanging out with and the amount of time I was at the festival. If you’re at the GBBF from near opening until last orders drinking nothing but “Imperial” beers — hop bombs or lucious stouts — is going to kill your palate & also your ability to stand upright. So, my GBBF 2012: all about great cask ale. (But I did sneak in some stunning imported beers of course!)

The British do love a good queue!

The British do love a good queue!

I always come prepared with a list of preselected beers. I also always end up wildly departing from this almost immediately & just “go for it” circulating through the bars. This seems to be a common pattern amongst festival-goers I meet. It didn’t help that this year the spreadsheet I generated from the GBBF website was missing the entire Champion Beer of Britain bar! I find the GBBF website effort is a bit half-arsed really. Pretty — but not functional. Clearly a project managed by marketing folk not quite clued up on modern website usability & functionality. (A common CAMRA online–experience situation.)

I showed up at around 14:30 on Tuesday to attend the trade session with a fellow North Hertfordshire CAMRA committee friend. The trade session has practical uses, the main one being meeting brewers to discuss how we can get hold of interesting beers for our beer festivals. There are a lot more people present that you’re likely to know too, which makes for a more enjoyable day. Wandering around bumping into people I’ve not seen for a couple of years, or who I see every week (local pub landlords for example), and even who I’ve never met before but “know” on twitter — all sharing a common interest: beer!

I’m going to split some of my verbose GBBF thoughts into two additional posts:

Outside of those arenas I’ll add that I love Olympia as the GBBF venue. So much more open and airy than Earls Court. I’ve only known GBBF at Earls Court until now and always considered it a rather ugly venue for the event — all concrete with dingy corners, it felt like a beer festival in a multi-story car park (an analogy I’m stealing from Dom of the Devonshire Arms in Cambridge, he described it this way and I immediately thought “yes, that’s it exactly“).

More Olympia in future please!

More Olympia in future please!

The value of attending the GBBF is called into question every year. Why go, queue up, deal with manky glassware, pay to get in, etc. London is turning into such a hive of craft beer venues that you could make better use of your trip to the city perhaps? If it is a big trip to get to London then I’d suggest: do both! There is plenty of value in the GBBF — you’ll find rare foreign brews otherwise not available, and (to counter the door charge) the prices are pretty damn good, especially on the bottles. Generally if you pick the right times queues don’t seem to be a problem. As for the glasses — you can swap for clean ones whenever you like. No need to rinse out in the loos! (Yes, I saw this happening.) Beer-ticking aside, there is also value in having the sheer range of cask ales there in one place. If you buy cask ale for pubs or festivals then this (along with Peterborough Beer Festival and the National Winter Ale Festival) is one of the best research opportunities of the year. You’re also more likely to meet and talk to useful people in the beer industry at GBBF (and not just at the trade session), meeting people & forging sales links is part of why they’re there.

This GBBF — with everything well managed and on hand-pump — didn’t seem to suffer from the usual beer festival quality issues. I do still hear a lot of reports of flat/tired beer, maybe my experience this year was skewed as I was there on Tuesday and Wednesday? The least-good condition beers I sampled were actually from the brewery bars, interesting in that you’d consider them to have more riding on serving their own beer in the best condition!

Well, that’s my 2p worth anyway. I almost skipped GBBF this year, in retrospect I’m mighty glad that I didn’t. I expect I will certainly go again. Apologies for being unfashionably pro-GBBF.

Project Venus, Sugar and Spice

Project Venus, Sugar and Spice

Cheers!

GBBF 2012 — Great Beer

Now, I’d be lying if I claimed all beer at GBBF was “great” — there certainly are a lot of rather dull beers. The fact that Greene King IPA is even allowed in the room makes me sad. Then again, there are people who like the stuff — does that justify it? Sorry, I’m going to say “no” and that I think these people are wrong & broken. Just as I think people who like McDonald’s are broken, and the list can go on.  May as well let Molson Coors run a Carling bar in the festival. I had a handful of “dull” beers, but only one that I thought was “broken” — rotten egg gas & TCP just doesn’t belong in a 3.8% light brown English bitter. That’s all I’ll say about not-great beer, on with the great!

I did my best to “untappd” all my beers at the festival, though did end up having to catch-up a few the following days. The great advantage of this is I have a good record of what I drank and even the occasional note if there was something distinctive about it. One clear fact is that this year GBBF was actually a “real ale” festival for me, with a peppering of foreigners sneaking in. This resulted from the combination of the company I was keeping for most of the festival, and a current “research” interest in the cask ales — I’m buying for the Letchworth Beer Festival this year (as I did last year). This “research” was productive, I ended up dumping a couple of beers from the list because I thought they just weren’t up to scratch, and adding a couple because they really did stand out (or I met the brewer — it helps!)

My notable beers of the festival, in order of imbibance, were:

Sandstone, Edge

My first Sandstone beer. After following the ever critical & acerbic James B on twitter for some time I’m glad I’ve finally had a chance to try his beer, and that it was good! I do hope I get a chance to try some more sometime. I’ve tried to find a source for our beer festivals but no luck, so far… short of driving it myself. (I like Wales, so it is definitely an option.)

Sandstone Edge

Sandstone Edge

Strands, T’ Errmmm-inator

A beer and a memory! On my Hardknott beer collection trips to Cumbria I normally stop up there for a couple of days of hillwalking. One March (last year I think) we camped at Wasdale Head and did a great Scafell loop. However the night was too cold, it hit -7C, too cold for me even (need better sleeping bags). Thus we spent the next two nights in Nether Wasdale, at the Strands Inn. Home of the T’Errmmm-inator. It was a great place. Hearty food of excellent quality and a great range of beer brewed on-site. The owners and the brewer, especially, were good for a chat too. I liked it so much I blogged it.

The beer was as good as the memory. A rich & unctuous stout.

Stone, Sublimely Self-Righteous Ale

I now think of this as Pete-beer. Nothing sets in the memory like the landlord of one of your favourite pubs rubbing your freshly shaved head.

This was on cask, and to be honest I don’t think it was better off for it. Thick, rich, sticky – it needed to be colder, and possibly fizzier.

Still a bloody fantastic beer though. If I didn’t know it in its usual form I’d not be complaining at all.

Daniel Thwaites Brewery, 13 Guns

Hey, the big(ger) guys are catching on… maybe it is just because Punk IPA is being brewed at the brewery, or perhaps it is just the sands of time. This is a really good IPA offering. Fresh and hoppy, and crisp in what I’m thinking of as the “UKIPA” style.

I tried this both with and without sparkler and in my opinion the sparkler did it no good at all. The beer felt and tasted kind of “squashed”.

Thwaites, 13 Guns

Thwaites, 13 Guns

Project Venus, Sugar And Spice

A “research beer” as I have it on my Letchworth Beer Festival list. Overall I recall ginger being dominant, and the beer being a little “rough around the edges”. But I think that given another month and a half it might smooth out. I certainly look forward to finding out. Enjoyable ale and firmly staying on my list.

I’ve been following the Project Venus beers since the start. I haven’t managed to try all of them, but I’ve had most. I ensured we had two previous ones at our festivals but I think my favourite has been the Venus Jade which I found in a local pub.

Stone & Wood, Pacific Ale

Aussie! Aussie! Aussie! Well, I just had to try something from “home” (even if it is the wrong side of the country). Came through very pineapple-y and a tad thin. I took a bottle home and it was much better (less thin) in isolation, but still tasted a bit like those pineapple sweets.

Stone & Wood, Pacific Ale

Stone & Wood, Pacific Ale

Ska Brewing, Decadent Imperial IPA

I was chatting to the brewer… so I just had to, didn’t I. Pity it was a 650ml bomber and I had to drink the lot! (Me being “between friends” at that stage, and the Ska Brewing dude being well stocked already.)

This is, in my limited experience, your typical US-DIPA — loads of caramel “balanced” (countered?) with loads of hops. It works. This is a great example of it working. However, I expect that I, with my not-really-at-all-sweet-tooth, will just never appreciate heavy use of crystal malt.

I find the strong UK-IPAs coming out at the moment are generally avoiding this heavy caramel. We’re seeing more crisp, dry, and sometimes even white-wine vinous finishes to strong IPAs here. Personally I think we’re better off for it.

Ilkley Brewery Co., Siberia Rhubarb Saison

Cask! Finally! I first tried this at Melissa Cole & Mark Poynton’s beer-and-food matched degaustation at Alimentum in Cambridge. I loved it on the night and promptly ordered 12 bottled from Beer Ritz. The bottles were a little disappointing, but only due to them having far too much condition. We’ve enjoyed them regardless and even used a few for a very tasty beer-and-beetroot punch!

On cask at GBBF this beer was at its best. A word: sublime.

Ilkley, Siberia

Ilkley, Siberia

Brains, Barry Island IPA

Another larger brewery (albeit their new “craft” brewery) with a UKIPA! And another good one too. Nothing in your face, very well balanced. I’ve not really rated Brains as being of much interested until now… but I’ll be looking out for their “craft” productions in future. This particular ale is highly repeatable (perhaps a little too repeatable for the ABV).

This was another for the sparkler challenge. In this case the beer was better WITH the sparkler.

Gasthaus-Brauerei Braustelle, Cedarwood Alt

Close your eyes. Conjure up a scent — the scent of sawing through a pine sleeper. That is the dominant flavour in this beer. It is incredibly odd, yet intriguing. I’d probably not be able to handle more than a pint, but I can see some amazing uses for something like this in food pairings!

Brouwerij De Molen, Rasputin Speyside Oak Aged

OMG! Always a favourite. This is MY style of beer. Imperial Stout in Wood.

Rasputin in Wood!

Rasputin in Wood!

Brains, Weiss Weiss Baby

Most memorable name of the festival? Alas the beer didn’t work well either with or without sparkler. The girl who served me said it was really designed to be on keg. Yes, I think this is what the beer needed. Otherwise it was just kind of flat and thick. I want to find it on keg now.

The Durham Brewery, White Stout

If a stout can be a black IPA then an IPA can be a white stout!

This seems to be a pretty decent example of what I think of as a UK-IPA/Brit-IPA. The rave reviews I’ve heard are not far wrong, it is a good beer. Rich and far more hop-forward on cask than the bottle I had a couple of months ago. I found the bottled version I’ve had just a tad on the cloying side.

Bierbrouwerij Emelisse, Imperial Russian Stout

A fitting end to GBBF! I just wish I’d not missed the whisky cask versions.

Beer, Beer, Beer!

 

 

 

GBBF 2012 — Great People

Don't forget the horses!

Don’t forget the horses!

Great Beer & Great People: complimentary ingredients. There is nothing more sad than drinking a beer alone, and nothing more dull than a gathering of people sans beer. Hyperbole aside, GBBF is generally a very friendly and happy festival I find, compared to some others I know well. I’m not sure what the magic ingredient is — perhaps the sheer size of the thing is important? Anyway, here’s a run–down of some great “people” moments at GBBF 2012.

Cheers!

Every time a glass is dropped a great cheer goes up. It’s a beer festival classic.

Accomplices

The people you go to the beer festival with. They’re half the motivation for going all the way to London. The prospect of hanging around the festival is much more pleasant if you know you’ll have friends present. Alas this year Kat was unwell… but my fellow North Herts CAMRA committee cronies were going to be in attendance — sorted! Attending the festival as a CAMRA group isn’t as dreadful some folk would think. We’re not talking the “beardy weirdy” stereotypes.

On Tuesday I attended with one fellow committee member who’s a multinational engineering wheeler-dealer in the telco — Andy has run the North Herts festivals for years now, and is also the proprietor of one of the branch’s best pubs (the Our Mutual Friend in Stevenage). On Wednesday Matt Williams (another “young” 30ish committee member like myself, current festivals organiser) and a friend were my core company — and we bumped into a couple of other North Herts friends from time to time as well. Not a single beard between us… though some may rightly consider my festive mohican haircut quite weird.

Winners

It’s always great talking to brewers about their winning beers. Whether or not they’re CAMRA fans I find brewers are always appreciative of a bit of public recognition for their hard work.

A GBBF 2012 highlight for me was chatting to Bob from Son of Sid brewery — who was bubbling over with joy at having won bronze in the mild category for Muck Cart Mild. A great chap who’s genuinely enthusiastic about beer and brewing. Modern punk-type beer snobs knock milds, and anything even vaguely traditional… I feel sorry for them. Despite the none too alluring name, Muck Cart is excellent and I’ll make a point of trying to get hold of some for our next beer festival.

Brewers

I was lucky enough to bump into “Hardknott Alex” — the new(ish) face at one of my favourite breweries (Hardknott… duh). We met supping foreign beers at the German / Eastern Europe bar. Heathens! A long, twisty, and fun conversation about brewing, CAMRA (the good, the bad, and the ugly), and beer ensured.

Alex introduced me to his accomplice MattAdam (oops!) from the Derby Arms (nowhere near Derby, but conveniently en-route to Hardknott). It sounds like a right brilliant pub and I think I’ll be staying there on one of my fairly regular trips to the area. See, GBBF: constructive, not just a drink-a-thon.

Landlords

Drinking with Pete — landlord from the Live & Let Live in Cambridge. He’s a “Black IPA” fiend, blacker & more hops seems to be his mantra when it comes to beer. In his pub you’ll usually find some of Oakham’s best beers – be it Green Devil or a darker form of the  IPA art. Pete was kind of smashed… no surprise, he’d been drinking pints of Stone’s Sublimely Self Righteous black IPA — weighing in at 8.7%. I duly had a half-pint myself, beautiful stuff. I think it’d have been better in keg format though. I tend to find the cask US beers are just a bit too cloying and work better (for me) to be served at a cooler temperature, probably with a little more fizz.

US Imports

Free Beer!

Free Beer!

Meeting the brewer from Ska Brewery. Brilliant brewery name! Terrible flash/noisy website. I’ve forgotten the dude’s name alas, but it was good chatting with him about the differences between British and US IPAs. He’s keen to sell his beers to the UK market — I certainly wouldn’t mind seeing them over here a bit. From all the good reports I’ve heard about his visit & reception in London on the grapevine I expect there may be some interest. I kind of accidentally ended up with a whole pint of his 10% Imperial IPA – Decadent. Ah well… beaut stuff though. Just a tad too much caramel for me, as is my usual complaint for strong US IPAs. I picked up some bottles of Ska Brewery beers to take-home the next day… tucking into one right now!

Before heading on his way he handed me a few beer tokens :) Can’t complain!

New & Old Twitter Acquaintences

Tapping a dude on the shoulder to ask where he got his t–shirt. It was a Weird Beard Brew Co shirt, of interest to me as I’ve been following Bryan Spooner on twitter ever since meeting him at the 1st Brewdog AGM. Bryan & another bloke called Greg Irwin are working on getting a new craft brewery going in London. The chap I tapped on the shoulder was Greg. I sat with Bryan, Greg, and Andy Parker (and their respective GBBF accomplices) for the remainder of the evening. Buggered if I can remember much of the conversation though, I think the strong American brews were getting to my head! (Good thing my hotel was 50 meters from the entrance.)

Bumping into Tony – another 1st-wave BrewDog shareholder who I’d not seen since that first AGM. He’s a fellow techie who used to work up Glasgow way but has now moved to London. So hope to catch up again sometime — probably in a “craft beer” establishment! :) [We did in fact, not long after at Brodie’s #witterfest!]

Bar Staff

An eclectic collection of folk work behind the GBBF bars; from festival organisers, through CAMRA volunteers, to brewery employees. They’re all doing a great job. Some get a bit grumpy, but what would a beer festival be without a grumpy volunteer or two. They’re not being paid to be there so I try to cut them some slack.

I tend to find the brewery bar staff the most interesting, most of them will have brewers present from time to time and all are happy to talk about their beer (and listen to polite criticism!) I found the Thwaites and Brains bars particularly friendly and helpful this year (they also had the best brewery-bar beer IMO).

One of the bars this year was tweeting, this definitely added some character to the GBBF twitter presence! The bloke running it, Ben, was wearing some sort of weird drag outfit… I never did find out what the story behind that was (assuming there is one!)

The Rest

If I’ve left someone out then it is through befuddled memory! So many excellent folk, such a mixed crowd, and a super-friendly atmosphere. It was grand!

Even the live music was excellent!
(No, not the bloody Skinner’s band…)